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The explosion of popular music in the second half of the twentieth century as well as the global circulation and dissemination of music by the creative industries propelled a new understanding of in relation to music. Suddenly, in the 1950s, anyone could pick up spoons, a couple of pans, a second­hand guitar and start a band. This led to specific genres such as skiffle, but also, more generally, reflected a much more relaxed and inclusive attitude to music making. While or